Madonna Fukushima by Chris Shaw
March – June, 2011
Acrylic on canvas
9′ x 11′
I watched the Japan earthquake and Tsunami live on television March 11, 2011. Like many, I was completely awestruck by the utter destruction I witnessed, but for some reason could not turn away. I’ll never forget the images of the tsunami hitting the Japanese mainland and entire towns being washed away. It was certainly Nature’s fury at its worst. I was extremely saddened and felt awful for all the people whose lives were affected or lost.
Then came the news of an incident at the Fukushima nuclear plant. At once I realized that there was something extremely wrong and scary happening there. Over the next days I again watched in horror as 3 of the reactors exploded and melted down, with a 4th in peril. I actually heard some “expert” say that the reactor buildings were designed to explode… “Don’t Worry”. There were massive radiation releases, but again the world was told that there was no problem, nothing was out of control. To me the situation looked very much out of control. As of this writing , Fukushima remains far from being stable or under control, it is a monumental catastrophe for Japan, the environment, and the world as a whole.
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June 11, 2011 – January 12, 2012
Bay Area rock poster art contemporaries Chris Shaw, Chuck Sperry, and Ron Donovan stand out amongst their predecessors in the Bay Area tradition of poster making that spans nearly 50 years. Through their prolific bodies of work, the masterful artists have brought innovation, invention, and new meaning to this art form. Each distinctively fuses propaganda, imagery, text, and historical art references with Pop and rock-poster art sensibilities to create accessible, relatable imagery that is at once empowering and undeniably populist.
Minna Street windows
A collaborative art work involving three individually created window installations, Donovan, Shaw, and Sperry layer silkscreen, painting, collage, and mixed media to transform two-dimensional imagery into three-dimensional expression. Showing reverence for man’s communicative nature, they reference the renewal of the idea that art has a purpose.
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